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tranzit

“As a legacy of Socialism, artists are still accustomed to producing works of art independently, totally separate from society, with a very personal focus. It is one of tranzit’s aims to carefully reintroduce contemporary art into a social context, to integrate it into society.”
Vít Havranek, tranzit.cz


Context

The ending of the Cold War ushered in a new phase of hope for Europe. Artists, often at the vanguard of change in society, were responding to these new conditions but were ill served by the staleness of the art world’s structures. More art institutions were springing up, but the work of young artists in the former Communist countries was rarely, if ever, shown in them. Clearly, other methods of thinking and working in art were needed. This became even clearer as the world’s social and political landscapes were radically altered by globalisation: attractive to many, but with a dark underbelly of growing nationalism and fundamentalism and (as it turned out) looming financial collapse. Against this backdrop, tranzit was formed.

Impact

tranzit exists to break the mould: challenging old art-world structures, showing new ways in which art can be made and reach its audiences, and bringing international exposure to Central European contemporary artists. Its self-organised activities span the local and the global, with tranzit units cooperating across different national, linguistic, psychological and historic borders.

Whether visible at Tate Modern or more modest settings, tranzit offers a much-needed platform for experimental procedures and visionary perspectives. It generates artistic, cultural and exhibition activities in a socially and politically aware manner, fully conscious that, in the words of one tranzit collaboration, "art always has its consequences".

Facts

Formed in 2002, the independent tranzit network now operates in Austria, the Czech Republic, Hungary and the Slovak Republic. Each tranzit local ‘unit’ has its unique and autonomous way of working, deals with several artistic settings (musical, poetical, literary, performative) and manifests itself in lectures, performances, discussions, publications, exhibitions and researches. The project heads in the four countries and an ERSTE Foundation representative make up the Board of Directors, and a general assembly meets once a year. This helps forge cooperation, common goals and the sharing of content.

tranzit is making its mark on the world stage too, and was one of the three curatorial teams for 2010’s Manifesta 8.

Erste Group initiated tranzit, and local banks of the Group have long supported the project, but since 2010, ERSTE Foundation has become tranzit’s main partner.

Project Manager

Heide Wihrheim
T +43 (0)50 100 – 11092
email

tranzit operates in Austria, the Czech Republic, Hungary and the Slovak Republic

Vít Havránek, Christine Böhler, Dóra Hegyi, Georg Schöllhammer, Boris Ondreička

tranzit Board of Directors:

Vít Havránek (tranzit.cz)
Christine Böhler (ERSTE Foundation)
Dóra Hegyi (tranzit.hu)
Georg Schöllhammer (tranzit.at)
Boris Ondreička (tranzit.sk, 
                                2002-2011)

In the photo from left to right

Artist-in-Residence in MQ Vienna

Every year, through February to November, tranzit offers an artist-in-residence programme in Vienna's MuseumsQuartier. Five artists from the Czech Republic, Hungary and the Slovak Republic have the chance to live in the city and work in one of the Quarter’s studios for two months each.

tranzit at Manifesta 8

tranzit was one of the three curatorial groups responsible for the artistic content of Manifesta 8, the European Biennial of Contemporary Art, which took place in the Region of Murcia, during 9 October 2010 - 9 January 2011.more

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tranzit at Manifesta 8

tranzit was one of the three curatorial groups responsible for the artistic content of Manifesta 8, the European Biennial of Contemporary Art, which took place in the Region of Murcia, during 9 October 2010 - 9 January 2011.

Given the motto of Manifesta 8, in its dialogue with Northern Africa, tranzit.org recalled the Eastern European experience of the transformation of societies after the decline of socialism and the different projections, which the idea of communism had created for so many movements of liberation and self-determination. This became the starting point for their contribution to Manifesta 8 – a point that was not a dialogue, but a conflict of transfers of imaginations. tranzit's multi-venue exhibition focused on the transfer between theory and practice, in this case, the making of an exhibition.