Context
Across Europe, countries have significantly been revising their budgets and the culture allocations seem to suffer mostly. Austria, Italy and Hungary, for example, have allocated less than 0.7% of their annual financial resources for culture.
While the heritage arts, usually displayed in museums, continue to get support, it is the contemporary artists, art historians or theorists who may have difficulties to get their work acknowledged. If they happen to come from Central or Eastern Europe, their chances for any funding further diminish. The lack of art production money, absence of gallery scenes, deficiency of art markets in Eastern European countries, coupled with still conservative approaches in education and shortage of jobs thereafter, pose a huge challenge.
Impact
For this reason, ERSTE Foundation established the biennial Igor Zabel Award for Culture and Theory in 2008. This Award supports the work of art historians and theorists in CEE and highlights the notion of arts and culture, encouraging the production of cultural knowledge and exchange between ‘East’ and ‘West’.
Igor Zabel (1958-2005), the name generator for this Award, was an influential Slovenian curator, art critic, writer and theorist, the main propagator of his country’s art scene during the 1990s. As the senior curator of Ljubljana's Moderna galerija, he established cultural links between Eastern and Western Europe.
Igor Zabel was, by all means, a role model for new generations of curators and critics of contemporary art.
The laureates of this Award, just like Igor Zabel, have brought together specific fields of knowledge and culture, and pointed to the necessity of their omnipresence in human lives. And these are the ideas that the Igor Zabel Award for Culture and Theory cherishes.
Facts
The award is not by application. An international jury made up of one artist, one curator and one theorist appoints the laureate. One of the members is always from Slovenia. In addition to the award, three working grants are offered. The laureate gives one of these grants, while the jury decides the other two.
With total prize money of EUR 76,000 it is one of the highest and most prestigious prizes for cultural activities related to Central and South Eastern Europe.
Candidates can be all those who work on broadening international knowledge of Central and South Eastern European visual culture. The award emphasises the importance of theoretical and scientific engagement, therefore it addresses international curators, theorists, writers, critics who come from or live and/or work in Central and South Eastern Europe, whose work spans this geography, respectively.

Christiane Erharter
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