Monuments Should Not Be Trusted
This publication was produced on the occasion of the group exhibition Monuments Should Not Be Trusted, curated by Lina Džuverović. The exhibition brings together over 30 leading artists and groups from the “golden years” of the Socialist Federal Republic of Yugoslavia – the period between the early 1960s and the mid 1980s. Over 100 artworks and artefacts illuminate the key contradictions of this single party state – built after WWII on socialist principles, yet immersed in “utopian consumerism.” This is the first time in the UK that the art of this period, which has attracted increasing attention, has been shown in the context of the social, economic and political conditions that gave rise to it. It draws on new and innovative research on this period, and features many of its most celebrated artists.
Artists and groups include Marina Abramović, Zemira Alajbegović (Gledališče FV), Lutz Becker, August Černigoj, Goran Djordjević, Vera Fischer, Karpo Godina, Tomislav Gotovac, Sanja Iveković, Katalin Ladik, Lojze Logar, Dušan Makavejev, Goranka Matić, Slavko Matković, NSK/New Collectivism, OHO, Dušan Otasević, Zoran Popović, Bogdanka Poznanović, Mladen Stilinović, Sven Stilinović, Lazar Stojanović, Raša Todosijević, Milica Tomić, Goran Trbuljak, Želimir Žilnik. Bands featured in the exhibition include VIS Idoli, Disciplina Kičme, Šarlo Akrobata, Oliver Mandić, Laboratorija Zvuka, Tožibabe, Laibach, Borghesia, Ekatarina Velika.
This publication is available at ERSTE Foundation Library.